It’s long been said that the first casualty of war is the truth. When it comes to the tragic Pat Tillman story, truer words were never spoken.
About Thomas Delapa
Thomas is a film studies instructor and critic currently living in Denver. He has written on film, theater and the arts for such publications as the Chicago Tribune, Westword (Denver), Boulder Weekly and the Pulitzer newspapers (Chicago). He has curated film programs at the Denver Art Museum and the Museum of Contemporary Art-Denver, and has taught undergraduate film at the University of Colorado, the University of Denver, Regis University and the Colorado Film School. In 2006, he received first- and second-place awards from the Society of Professional Journalists, Colorado chapter, for Arts and Entertainment Criticism. He also has been film critic for such NPR affiliates as WBEZ-FM in Chicago and KUVO-FM in Denver. His past work in the film and television field includes positions at the Museum of the Moving Image and the Public Broadcasting Service in New York City and Charles Fries Productions in Los Angeles. His two Master’s degrees are from New York University (Cinema Studies) and the University of Chicago (Social Sciences). You can follow his film blog, Deeper Into Movies, at http://deepintomovies.blogspot.com/ and on Facebook.
Website: http://deepintomovies.blogspot.com/
Thomas Delapa has written 15 articles so far, you can find them below.
Born in the USA: A Review of The American
George Clooney isn’t just a bona fide movie star. He may be the last American matinee idol. In a time when most U.S. leading men are either fading (Jack Nicholson), aging (Al Pacino), strange (Mel Gibson), selective (Tom Hanks) or forever adolescent (Tom Cruise), Clooney still shines with the kind of looks and charisma that [...]
Hugh Hefner Superstar | A Review of Hugh Hefner: Playboy, Activist and Rebel
Celebrities, here’s a tip worthy of the Playboy Advisor: If you consent to a documentary biography, make sure you hire a pal to direct. After making Hugh Hefner: Playboy, Activist and Rebel, the only remaining to-do items for director Brigitte Berman is to nominate her subject for the Nobel Peace Prize, the Presidential Medal of [...]
Numbers Game: A Review of Countdown to Zero
Want to see something really scary? Forget Independence Day, 2012 or any other Hollywood horror story. This summer, Countdown to Zero should land on your Top Ten list. The cast includes such international stars as Jimmy Carter, Mikhail Gorbachev and Tony Blair. The doomsday plot? Unless the world acts quickly, time will run out on [...]
American Idle: Adventures in TV Land
If you want to seriously study the sick state of TV in the age of Fox News, reality shows and infomercials, spend a few days semi-conscious in a hospital bed. Some 50 years ago, Federal Communications Commission chairman Newton Minow controversially declared television to be a “vast wasteland.” That was when TV was limited to [...]
Twilight of the Gods: Metropolis Redux
Of all the great silent films, few approach the curiously hip appeal of Metropolis, director Fritz Lang’s 1927 futuristic German classic. It was the Cleopatra or Heaven’s Gate of its day, nearly bankrupting the studio—Ufa—that produced it. Yet its influence, principally in Lang’s extraordinary visual design, has been monumental. More than 80 years after its [...]
Say Goodnight, Leo: A Review of Inception
Even before the summer started, perhaps no other major Hollywood release created more anticipation than Inception, a potential sci-fi blockbuster about a team of cerebral thieves who break into people’s dreams and steal their deepest, most lucrative secrets. With Leonardo DiCaprio on board and writer and director Christopher Nolan (The Dark Knight) at the helm, [...]
That’s Amore: A Review of I Am Love
When people talk about our so-called postmodern era, one presumption is that creative artists have somehow absorbed the modernist triumphs and now borrow from them in all sorts of self-conscious ways that range from clever pastiche to flagrant piracy. That may have been true in the heady sixties and seventies, but the creative arts today [...]
Cold Mountain: A Review of Winter’s Bone
Almost six months—and two seasons—after it won the Sundance Film Festival’s Grand Jury prize, Winter’s Bone has been tossed into theaters, where its reception has ranged from frosty to feverish. That’s not surprising. By now, even art-house aficionados might be wary of Sundance’s predilection for dour independent dramas that are almost impossible to warm up [...]
Can We Talk? A Review of Joan Rivers: A Piece of Work
Did you hear the one about the traveling septuagenarian comedienne? Fans of comic Joan Rivers may want to stand up and applaud Joan Rivers: A Piece of Work as a labor of love. The less moved will have to work harder to find the punch lines—other than Rivers herself.
Harvest of Shame: A Review of Food, Inc.
America, land of good and plenty, was once a moveable feast. But take one bite out of Food, Inc.—now on DVD—and you’re likely to lose your lunch. Plop plop, fizz fizz. That’s the sound of your stomach on junk.
Ogre and Out: A Review of Shrek Forever After
Once upon a time in a strange, make-believe land also known as Hollywood, there was Shrek, a fractured fairy-tale cartoon about a big green ogre with a heart of gold. It made a king-sized pile of green for the DreamWorks studio and so did its two sequels. But in 2010, the franchise came under the [...]
Space Oddity: A Review of Moon
Like a Frankenstein monster on steroids, the science-fiction film has mutated into “sci-fi” over the past quarter-century, juiced up with special effects, behemoth budgets, gore and gloom. It was in a Hollywood galaxy long ago and far away that thoughtful, speculative movies like 2001: A Space Odyssey and Blade Runner were launched. With the genre [...]
In Jack We Trust: A Review of Casino Jack and the United States of Money
While there’s no doubt that Abramoff is the fall guy (and some say, scapegoat), it’s the American political system that ends up as the biggest loser.
Schlock of the New
Newly arrived on the art-house circuit, Exit Through the Gift Shop is a nearly priceless satire of the contemporary art scene, especially if you’re willing to buy into what may be an elaborate inside joke of the Borat School. There’s a revolving door of characters in this droll indie documentary, beginning with Thierry Guetta, its [...]

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